For as long as I can remember, I have avoided most fragrances with heavy floral notes. It isn’t that I don’t like flowers – I do… especially orchids. I love orchids with a passion! But for some reason many of the floral notes used in perfumes end up giving me a headache. There have been exceptions to that rule, of course, but any floral scent I do enjoy usually has a spicy/woody side as well.
When I first heard about Jasmin Rouge and Santal Blush – the new Private Blend Fragrances by TOM FORD – I could have cared less about Jasmin Rouge. The bottle looked gorgeous in the advertisements, but, on paper, it didn’t seem appealing to me. The smell of jasmine has never been one of my favorite things, and a fragrance that is built around that note didn’t hold any interest for me. Santal Blush, in all its sandalwood glory, was the one I was looking forward to trying. Thanks to the generosity of TOM FORD Beauty, I was able to experiment with both!
After some deliberation, I decided to wait on Santal Blush and try Jasmin Rouge first.
The official description states that “TOM FORD JASMIN ROUGE is a voluptuous, saturated, spiced floral presented in a deep-red bottle. Two bespoke ingredients, Sambac Jasmine Sepals Absolute and Clary Sage Essence, are brought into unexpected union: Together, they create a scent that is hedonistic and erotic. This composition is enhanced with unusual, exotic spices such as Indian ginger, cardamom and cinnamon, and lively florals such as Ylang Ylang, Italian Broom Flower and Neroli. Finally, an accord of Labdanum Resin, Amber and Abstract Woods is wrapped in Vanilla Bean Infusion and Leather to create a sensuous texture. Jasmin Rouge is as audacious as lacquered red lips and dark, smoky eyes.”
Being the non-expert that I am, my description is this: Jasmin Rouge is a very complex, rich, sensual scent. The top notes are heavy on the jasmine, as expected, but yet less floral than I anticipated. It’s actually quite lovely. I think someone that is a big fan of jasmine would love it. The drydown is spicy, sexy and powerful. The best way I can describe it is jasmine wrapped in creamy leather.
Plus, it lasts for. ever.
The bottle itself is a gorgeous red color that I couldn’t quite capture in the photos. There really is no purple tint to it as appears in the advertising image; it truly is a gorgeous scarlet color.
Many thanks to TOM FORD Beauty for sending this my way. Even though it isn’t my fragrance soulmate, like Violet Blonde, its definitely earned a spot in my perfume rotation. It’s a great scent for the days that you want to be extra feminine, but still show a little edge!
What do you think of jasmine? Are you going to try this one out?
Photographer Alexi Lubomirski managed to do something extraordinary in this editorial for Wonderland Magazine; he was able to capture the movement in these stunning images while still highlighting the remarkable detail in the TOM FORD designs Chanel Iman is wearing. There is literally life in these shots… in the composition, the designs, the atmosphere… they are sensual and provocative and absolutely gorgeous.
Have you heard of MOJEH Magazine? I hadn’t until I learned of this photoshoot. MOJEH is fairly new on the fashion magazine scene, but from what I can tell it is one gorgeous glossy. This United Arab Emirates based-magazine isn’t one you’ll find on your local newsstand, but I wouldn’t be surprised if we started to see more and more editorials making their way online as it grows in popularity.
The September issue is chock-full of Tom Ford-goodness. There is an exclusive interview with the designer which I am still trying to get my hands on, but it looks something like this:
Image via rachelsingerclark.com
In addition to the interview, “The Faces of Ford” showcases the beautiful Eden Clark wearing some pieces from the A/W 2011 Womenswear Collection. I have a soft spot for the more relaxed and easy-going images in this shoot…
…but the high-glamour shots are gorgeous as well.
But my absolute favorites are these:
Image via Tommy Clarke
Image via Tommy Clarke
From what I can tell, most of these didn’t make the final cut and aren’t in the editorial, but wouldn’t you love to be her for a moment? Completely carefree, wearing that gorgeous coat, and playing with those adorable dogs? LOVE.
Are you familiar with MOJEH Magazine? What do you think of this shoot?
Photoshoot Details:
MOJEH Magazine, September 2011
Photographer: Tommy Clarke
Makeup/Stylist: Rachel Singer-Clark
Tom Ford recently visited Las Vegas to attend a cocktail party at the TOM FORD store located in the striking Crystals at City Center shopping center. He spoke about the visit briefly on Facebook and now Vegas Magazine has featured him in their latest issue as well.
The article, written by Laurie Brookins, doesn’t contain a ton of new information, but it does delve into the new TOM FORD Complete Beauty Collection and offers some insight into the advertising campaign, what it takes to be a well-dressed woman, and explores Ford’s thoughts on being “vain”, among other things. Some of the best snippets are below.
On what it takes to be a well-dressed woman:
“Every woman needs a perfectly cut, tailored suit for day, a black cocktail dress, a smoking, a perfect pair of pumps with high heels. The most important key to being well-dressed, however, is for a woman to wear something that suits her style and body shape. A woman who is confident and knows what looks best will always look great.”
On what sets TOM FORD Beauty apart from other cosmetic lines:
“When I started designing the skincare and cosmetics collection, like with anything else I design, I did a lot of research… [I] designed products that were practical. My formulas are proprietary and really the best that money can buy. The colors are rich and original and the finishes flawless. That is what sets us apart: quality and straightforward products to help every woman amplify her beauty.”
On why he is featured, with model Lara Stone, in the TOM FORD Beauty Ad Campaign:
“I am a very practical and pragmatic person, and the reality is that I am in the ads because I am still in the phase of brand development where I need to make sure that people realize that there is an actual person behind the brand, designing literally everything we make and creating the language of the brand. I am not in the ads because I am vain. A lot of people do not know who I am, and the product sells better with me in the ads, which we know from the men’s perfume ads that I have appeared in.”
On the idea that he is “vain”:
“I believe in being myself. ‘Vain’ is a funny word. Maybe I have that reputation because there are so many images of me in the press, but it’s not like I sit around looking in the mirror, admiring myself. I realize the value of my looks as the physical embodiment of a brand. I am very visual and very critical and very self-critical. If my jacket gets too toght, it doesn’t mean I get another size; it means I eat vegetables that day and go for a run. I am very disciplined, but I don’t think of myself as vain. I think of myself as a realist.”
On whether he’d ever sign on to be the creative director of another brand:
“Why? Been there, done that. I have my own brand. Why would I need anything else?”
I had to share this because I agree wholeheartedly with what Tom Ford had to say about personal style…
“Style is a personal thing. It is what defines you. It is not only about clothes (in fact, it is rarely about clothes) but is about the way that one handles oneself with other people. To treat people kindly, to look them in the eye, to shake their hand firmly and to try to always be proud of ones actions are key elements of style as far as I am concerned. With regards to clothes and dress I think that it is important to find out what you feel comfortable in [I am not talking about physical comfort here] and then to make that look your signature. Personal style, comes from consistency. Know yourself, know what you like and what you don’t like and then build a look around those likes and dislikes. Remain true to your own taste.”
When it comes to perfume I tend to be a creature of habit. I have alternated between two go-to scents – Burberry Brit and Chanel Allure – for years now. For extra special occasions I reach for TOM FORD’s Black Orchid, but for the most part, the Brit and the Allure are what get the most play from me, and I never really thought much about changing them.
Despite that, I can’t really say that I ever considered either a true signature scent for me and lately they have become a fragrances that I am bored with. Now, Black Orchid is something altogether different… it’s a unique and stunning fragrance, but one that I use quite sparingly… I treat it like liquid gold and ration it. But even it isn’t something I could see myself wearing every day.
Given my love of Black Orchid, I couldn’t help but get excited when I heard three new fragrances were being released as part of the Complete TOM FORD Beauty Collection. I loved the advertising campaign for the new Signature Fragrance, Violet Blonde, but was most looking forward to the release of the two new Private Blend Fragrances – Santal Blush and Jasmin Rouge. Violets have never been a huge love of mine so I didn’t think Violet Blonde would be all that appealing to me.
And then, thanks to the generous people at TOM FORD Beauty, I was able to try it…. and fell madly, passionately, unequivocally in love.
TOM FORD Violet Blonde is the scent I have been searching for my whole life… the one destined to become my signature fragrance.
Finally.
When I say that I couldn’t stop sniffing myself the first day I wore it I am not lying. My enthusiasm for the scent probably scared some people away.
But it is that good. Soft, sexy and feminine yet completely modern. Did I mention sexy? How about opulent?
Let’s start with the packaging. Violet Blonde is housed in the signature fire-polished and ribbed TOM FORD fragrance bottle. This version is transparent, which let’s the gorgeous cognac color of the fragrance take center stage. The name is stamped on a gold plate and attached with rivets. Simple yet elegant.
The secret to the scent itself is the melding of Violet Leaf Absolute with two rare types of Orris (the precious root of the Iris Flower). Found in the hills of Florence and Siena, Tuscan Orris Absolute and Tuscan Orris Butter are seldom used in modern perfumery because of their high cost and complex aging and distilling processes. And they are the key to this ravishing scent.
For those of you who are experts in perfumery, the CliffsNotes description of Violet Blonde goes something like this:
Violet Blonde opens with notes of Violet Leaf supported by Italian Mandarin and Baie Rose to create a green-citrus first impression. Tuscan Orris Absolute and Tuscan Orris Butter add a richness and earthiness to the violet, while notes of Jasmine Sambac are added for floral support. Finally, Benzoin, Cedarwood Orpur and Haitan Vetiver Absolute add a wooden medley to the scent, with musk and soft suede adding depth on the dry down.
For those of us who aren’t experts in perfumery, like me, but know what we like, the CliffsNotes description goes something like this:
IT. IS. AMAZING.
Tom Ford says “Violet Blonde has the spirit of a classical, European fragrance. It is formal, polished, and yet draws you in closer and closer, like a beautifully dressed woman whose refined presence charms, then fascinates, and ultimately seduces you.”
You know what? He’s absolutely right.
This is what perfection in a bottle looks like:
And perhaps the best part? It won’t break the bank!
Many, many thanks to the lovely people at TOM FORD Beauty for sending this my way. It is truly extraordinary.
What about you – have you tried Violet Blonde yet? What is your Signature Scent?
Georgina Stojiljkovic has long been one of my favorite industry models because she has a very distinct look (this is one of my all-time favorite photoshoots). I don’t think anyone would call her classically beautiful and she certainly isn’t your typical supermodel bombshell. She is something altogether different…
She is haunting.
Ethereal.
Unforgettable.
I think photographer Emma Tempest, along with Stylist Sam Ranger, captured that beautifully in this spread for the Fall 2011 issue of Helen Marlen Magazine. I would have loved this photoshoot regardless of what she was wearing, but that fact that Georgina is modeling some of my favorite pieces from the TOM FORDFall/Winter 2011 Womenswear Collection is the icing on the cake.
First, he was named “International Man of the Year” at the GQ/HUGO BOSS Man of the Year Awards which were held in Moscow on September 21st, 2011.
Now, GQ Russia has named Tom Ford “Designer of the Decade!” He is being honored in a special October 2011 Collectors edition of the magazine with photography by Nigel Parry. Joining him in the photoshoot were models Ines P and Tabitha Hall.
We have handsome Tom:
Tom Ford by Nigel Parry for GQ Russia, October 2011
And, of course, we have racy/controversial Tom:
Image Via: Veljko Gavrilovic Twitter
Tom Ford for GQ Russia by Nigel Parry
Personally, I can’t stop staring at these images… they are just so… TOM FORD! Controversial. Sexy. I especially love the last shot because its the reverse image of the photograph on the wall… I keep going back to it!
I was fortunate enough to get my hands on a copy of the magazine and have (roughly) translated some of the interview for you. Please keep in mind that this is a very rough translation that likely has some errors!
Right off the bat, there was a lovely exchange between Ford and his interviewer about the dress she was wearing:
GQ: Mr. Ford, I am honored to be able to speak with you.
Tom: Thanks. Your dress is beautiful. What is it?
When I learned that I was going to be interviewing you, I immediately thought – what am I going to wear? It would be nice to wear TOM FORD for Tom Ford. Another option was something YSL, perhaps from the period you worked there. But I knew I wouldn’t be wearing anything like that. So I put on one of my Grandmother’s dresses.
Seriously?
Yes. Imagine. 1946, World War II had just ended. The city of Vologda in northern Russia. White churches, white snow, black ice and no food. Well, in general, there was just nothing. Cold and famine. Except for a fashion house. And every teacher – and my grandmother was a teacher of literature – could have a beautiful dress. This dress was sewn from German material. I think it’s crepe satin. The seams were done on a “Singer” sewing machine and the rest is hand embroidered.
Excellent! The dress is very elegant, it looks completely modern. Wonderful story, wonderful dress and on top of that it’s so meaningful. Very elegant for 1946. But no less elegant today.
Thoughts on his designs:
… about your Grandmother’s dress – charming story. As for my designs – the ones that I’m doing now, and some of what I did for Gucci – I want to believe that for someone a piece will be so special that they will save it, send it to their daughter, their granddaughter. And perhaps, after 60 years, someone will say: “It was my grandmother’s!” And someone else will say, “My God! How beautiful! “… I want my clothes to be beautiful. I want to create interesting pieces that are not thrown away and stored. That’s why my clothes are expensive. I try to create things that I can be proud of. And I hope one day, sixty years later, someone will come to work and say, “this dress used to be my grandmother’s” or “this suit was my grandfather’s.” That is the power of fashion.
On September 11th, 2001:
GQ: I love a quote from your book, it is truly brilliant… “The Power of fashion can be scary. On September 11th our New York YSL Store received 42 calls from women wanting the peasant blouse.”
Tom: Yes, that left an impression on me. We received more than 40 calls. I was in New York that day, had just opened a boutique. I came to New York in advance, had dinner with a friend, it had been on the top floor in one of the towers… I am very glad that I was there. That day I experienced a feeling that is impossible to imagine. It must be akin to what people felt during the Second World War… when I learned about these calls, I felt disgusted… we need to look at the big picture. And the World Trade Center, all who lost their lives, they are so much more important than our blouses. That’s why I addressed this in the book, this idea about the power of fashion – with bitterness. While on the one hand, I was happy that I could make something that was so wanted, on the other it disgusted me that – to some – blouses were more important than what is happening. I have two very different sides, which are constantly in conflict, pulling me back and forth.
On the changing role of fashion in Russian society:
[I first visited] Moscow in 1984. I was a student in Paris, came as a tourist, and of course, at the time it was still the Soviet Union… Over the past twenty years I have witnessed dramatic stylistic changes in Russia. Today we are seeing the same thing in China. I hope that I don’t offend any Russian readers with this comparison. But when I first visited Russia, people were languishing in vogue. But then, when the Soviet Union ceased to exist and the country opened, it was reduced to fashion labels. Now everything has changed – Russian tastes have become more sophisticated. Labels are no longer as important. It’s amazing how fast things have changed.
On education:
I think a benefit of communism – although perhaps I shouldn’t say this because I don’t know if it truly applies in Russia – might be that the Russian people were able to get a good education… If we talk about education, then, for example, the U.S. education system is extremely frustrating to me. I have lived in (mostly) New York a long time, and when I return to the U.S., I am still proud that I am an American, but I am extremely worried about the decline of education, culture, movies and more… I love Obama, I am a Democrat. But I am becoming more and more nervous and worried about what is happening in America.
On life and the aging process:
I love fashion, I love flowers. I think we have to live for the sake of the beautiful moments. Nothing makes me sadder or happier than a beautiful bouquet of peonies. I love peonies. They are so beautiful and bright. But I can’t help but look at them and think that after two days they dry up. The person with whom I live now was 39 when we met. We have been together 25 years… And I look almost the same now at 49. But he has aged. I see it, and it saddens me… But I manage to avoid seeing just the good or just the bad. I try to see the whole thing as a process, and then it doesn’t make me so sad.
and…
Sometimes you might think to yourself, “I feel like I can’t go on living.” But if you look at it the right way, you realize that death – it is not an end. I am interested in all kinds of spirituality, but more – the eastern philosophies. For me, death is not an end, it’s a transformation. I look at life as a machine… I feel a sort of energy within myself. This energy has always been, even before I came into this world. I think this is one of the reasons why I like fashion – it’s distracting. I like to be very busy. But it’s necessary to stop at times, for me, if I don’t, it can lead to a strong depression. Creating something – that’s what makes me happy. Building a house, drawing a collection, making a movie …
On beauty:
Truly beautiful people are the ones whose beauty is inside. This is because their spirit, whatever the case, no matter what happens and wherever life takes them, remains a good spirit. The spirit, which is inside of us. This [our bodies] are our other, earthly part, but that is not the spirit, think in terms of “There’s a pretty, but there is no…”. [Our bodies/looks] are just elements of our culture. In the 1500s a fuller figure was considered beautiful and being thin -vice versa. And in 2011, thinness is considered beautiful. True beauty is something else. It is spirit, which is inside a person. The greatest beauty on earth – is when you can find both of those together. Physical beauty, coupled with a wonderful spirit – it’s dazzling!
and…
The happiest people I know are not the most physically beautiful at all. Your inner beauty is what makes you a beautiful man. If you don’t develop as a person [outer beauty] is nothing. I actually believe [outer beauty] can make someone unhappy if that is all they have. Same with money. Whether you have them or not, they will not make you happy on their own. Money is good because it gives us freedom. I, for example, can say: “I want to open up a fashion house.” “I want to make a movie.” “I want to build a house. ” Yes, money gives us that freedom. But today I am happier than ever with my life. I feel I went through a very dark point in my life and have now found peace. I love what I do. I love Richard. I love my dogs. I do not drink alcohol… I do not take any drugs. Do not smoke cigarettes. Do not use cocaine. For me it was a turning point. I talked to a therapist who helped me feel what it was like to really live… and in this sense it isn’t so much about joy and sadness. I hope that my clothes make people happy. But that is not true happiness. It’s just fun.
On when he decided to become a fashion designer:
You won’t believe this, but I decided to become a fashion designer while I was in Russia. While I was a student studying architecture in Paris, I went on a guided tour of the Soviet Union. We traveled to Moscow, Leningrad and Kiev. It happened in Leningrad. I came down with the flu and was stuck in my room. It suddenly just hit me: “I want to become a fashion designer!”I reasoned it out in my head: “I have a good sense of style, I’ve always liked fashion, clothes, I look good.” So there it was – the answer to the question “what am I going to do with my life?” just came to me in Leningrad… I left Leningrad for Paris, ended my study of architecture, and went back to New York. The decision was made in Leningrad.
On his relationship with Richard Buckley:
When you find someone perfect, you can’t let go… I believe that when you find someone who is truly good, you can not just let them go. For example, I can’t imagine that, say, after three years of living with Richard, I would suddenly decided to be with someone else. Even if something was to happen, you need to work through it. Because, Richard – he is my family. I think we are happier than ever. Do we have lots of sex? No. Do we get to spend a large amount of fun times together? No. But that’s okay. Because we have something more profound.
On whether he has ever had a serious relationship with a woman:
I have had long-term relationships with both men and women. That’s all I’ll say on this topic. I’m not bisexual, I’m gay. Definitely gay. I like women, but generally I am more attracted to men. But I have had great relationships with women. Incidentally, I find sex with a woman to be more natural than with a man… Obviously, our bodies – male and female – were originally created to suit one another. Physically we were created to be with women. In[A Single Man] there is a scene where two men are lying together and one asks: “Why are you with me?” – “Because I’m in love with you.” And here I am in love with a man. That doesn’t mean that I find women unattractive.
On John Galliano:
I really like John. I think he’s one of the most talented designers out there. Normally I don’t discuss other designers. But I really like John. Whatever he said, no matter what he had in mind, I personally never heard anything like that from John. I have no idea whether or not he is an anti-Semite. I can’t talk about that. Of course, what he said to those people – it wasn’t good. But I know he was under a lot of stress. Plus, alcohol and drugs. I understand it. When I worked for Gucci, for example, we were earning $3.2 billion per year! If I designed a bad collection, our sales would falter. Everyone who works for you, they have a sense of pride that results from your creations. It’s not just from a financial statement, you feel like you owe everyone something so you do more and more, try to be better and better… In the end, you can lose touch with reality. I understand that pressure. It didn’t happen to me in that capacity, but I was close. It happens to many designers. I think John needs help.
On Alexander McQueen:
Alexander was my friend. I brought him into Gucci. What happened to him, his suicide, it is very, very sad. But I have to say, in some ways, it could have been predicted. Think of his collections – death, darkness, skulls – they were always present.
On the state of the fashion industry today:
I think the state of the fashion industry reflects where we are culturally. The Seventies – that is a time that I always go back to. When you look at photos from the seventies women are always smiling. happy. It was a time before AIDS, when people could touch, kiss, have sex. It was a time of stability. Perhaps this is a time of global mourning. Even when we don’t intentionally set out to have a “dark collection” a sense of sadness somehow seems to permeate our designs.
And that, my friends, is as good as I could do on the translation. As I said, its a rough translation, but you definitely can get the gist of what he was saying. And yet again – I love the insight into his thoughts.
This honor also coincided with the opening of the second TOM FORD second flagship store in Moscow on September 22nd. Ford himself attended the opening of the new the three-story boutique which is located in the luxurious Tretyakovsky Passage area. You can see some footage of that here:
I’d love to hear your thoughts on the GQ issue, interview and photography!
